Pete Grafton’s photos

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Pete Grafton’s Photos


Photos from the Pete Grafton Collection

Kodachrome slide, 1950s. USA.


Kodachrome slide, 1968.  USA.
A page in a German photo album of 1938.
From  The German Experience, a future Post at Pete Grafton Photos.
Girl in a straw hat, England. 1914
Girl in a straw hat, 6″x4″ glass plate negative.


Photos by Pete Grafton

Bern, bus station. September 2009
Fernandel at Bern bus station. September 2009.
Girl wearing FCUK top, Edinburgh Festival.
Girl wearing FCUK top, Edinburgh Festival. 2006.


Dawlish Air Show visitors. August, 2015.
Lavassa, Bern Railway Station. October, 2008.


Pete Grafton.  Self-portait.  Dawlish, 2014.

Pete Grafton Photos are a monthly selection of photos taken by Pete Grafton throughout Europe, and from the Pete Grafton Collection – photos, slides, photo negatives and photo albums that he has collected in bric-a-brac shops in Europe, and on eBay.  They have been posted since November 2016 at


Next Post here is on 22 March, 2017:

Walking to Scotland 1965

Kishorn Loch, 1965. Scotland.

Part I: Forest of Dean and Wales goes online here at on 22 March, 2017.



Christmas on Ice: Hamburg, Glasgow, Edinburgh, Paris.

Photos by Pete Grafton

Christmas on Ice:  Hamburg, Glasgow, Edinburgh, Paris.

Hamburg, Eisbahn Planten un Blomen, Neustadt.

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Hamburg.  2005.
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Hamburg. 2005
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Hamburg. 2005
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Hamburg. 2005.
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Hamburg. 2005.
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Hamburg.  2005.
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Hamburg. 2005.
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Hamburg.  2005.
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Hamburg. 2005.

Glasgow, George Square.

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Glasgow, George Square.  2005.
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Glasgow,  George Square.  2005.
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Glasgow, George Square.   2005.
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Glasgow, George Square.   2005.

Edinburgh, Duddingston Loch

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Edinburgh, Duddingston Loch.  “The Reverend  Robert Walker Skating on Duddingston Loch”, 1780s.  Attributed to Henry Raeburn.  National Gallery of Scotland, Edinburgh.

Paris, Hotel de Ville.

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Paris, Hotel de Ville. 2008.
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Paris, Hotel de Ville. 2008.
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Paris, Hotel de Ville. 2008.
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Paris, Hotel de Ville. 2008.
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Paris, Hotel de Ville. 2008.

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Paris, Hotel de Ville.   2008.
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Paris, Hotel de Ville. 2008.
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Paris, Hotel de Ville. 2008.

Happy Christmas Everyone.


Eddie Cochran: Summertime Blues

Rock n Roll, the U.K, 1958.

“I was there mate, so I know what I’m talking about.”  “Oh really?”

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Eddie Cochran and his Gretsch guitar

Eddie Cochran and the Summertime Blues

The long, hot summer in the U.K. of 1958 was awash with rock n roll music that blew your socks off:  Buddy Holly’s Rave On, Duane Eddy’s Rebel Rouser, Jerry Lee’s High School Confidential… and Eddie Cochran’s Summertime Blues.  Oops!!  The latter not even quite right.

Not at all right, it seems. (1)

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Le Patron did not – as he wrongly remembered  –  obsessively play during that Essex summer the London Label Summertime Blues on the portable plug in record player in his bedroom, windows open,  whilst his Dad mowed the grass outside, his sister dusted her Wade figurines, and his Mum cooked the sunday lunch.  Oh no.  He would have lost serious money if he had put a bet on that.

Being there doesn’t mean you remember right.  According to the UK hit parades of 1958, Summertime Blues reached its highest position in the British Top Twenty – at  Number 18 – on 13th November, 1958.  Forget summer. The nights were dark.  And the Number One that  damp week in November was It’s All in The Game by the rarely remembered Tommy Edwards.

Eddie Cochran

Le Patron is writing about Eddie Cochran as Eddie Cochran died in St.Martin’s Hospital, Bath, Somerset, and so did Le Patron’s Dad,  and  in a manner of speaking, they both shared the same house too, in Essex in 1958.    But first…. The Summer of ’58.

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Le Patron








The Summer of ’58

In Rock n Roll legend – as far as the U.K. goes – the summer of 1958 is seen as the final splendid showering of rock n roll.  All the American greats were in the U.K. Top Twenty, mostly on the London label (RCA, Coral & Brunswick aside).  Buddy Holly got to No 5 in August 1958 with Rave On; Jerry Lee’s explosive High School Confidential made No.12; the staggering Rebel Rouser made No.19 for Duane Eddy in September 1958, and Elvis was there with the Platinum Hard Headed Woman.

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Just to take  the week in August when Buddy Holly got to No 5 with Rave On: the Everly’s were sitting at the Top with the double A sided  All I Have To Is Dream/Claudette, with Elvis snapping at their heels with Hard Headed Woman.  The Crickets Think It Over had entered the bottom 20 and was rising, and Little Richard’s Ooh My Soul was in the bottom 20 too.  So yes, it was a hot, exciting summer.   The Patron played again and again the opening lines of Rave On: “Well-ahella-ahella, the little things you say and do”; Jerry Lee’s blistering High School Confidential which ripped in with “Come on honey, get on your dancing shoes, before the juke box blows a fuse”  Or the opening, stunning, mesmerising twangs of Rebel Rouser.  Where was that sound coming from?!

High School Confidential

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It was a far cry from the BBC Light Programme’s Sunday lunch time record requests show Two Way Family Favourites. The closest you might get to the source  on that programme was Guy Mitchell,  maybe a ballad from the Everly’s, or the poppy Lollipop by the Mudlarks (an English cover of the Chordettes U.S. original).  But there was never ever going to be anything that would blow the valves out of their radiogram sockets.

In a small town in Essex in the summer of 1958 listening to Jack Jackson’s Decca show on Luxembourg was the first stop for listening to this electrifying sound from across the Atlantic. (The AFN – (American Forces Network) – signal from Germany was even weaker  than Luxembourg’s)

The second way to hear it was to stand in the record booth at the local shop where you could listen before you bought or did not buy a new release.  And thirdly, dropping a coin in the slot of a juke box.

So that was the summer of ’58.  According to the mythology, it was the Indian Summer of that 1956 – 1958 explosion of American Rock n Roll.  Even Le Patron accepted the myth. It didn’t need Don MacLean’s American Pie (1971) to talk about the day the music died (February, 1959 and Buddy’s plane crash).  The myth had already been established somewhere around 1964, when Mods and Rockers fought it out on the beaches of England’s South Coast.

Little Richard

But like Le Patron’s dodgy memory, the myth is wrong too.  This is the myth: in 1959 Buddy Holly was dead, Elvis was in the Army, Little Richard had found God, and Jerry Lee never recovered from being found out, in May, 1958, that he had married his 13 year old first cousin once removed.  And  – according to the myth – after that came three or four years of Bobby this, and Bobby that,  singing bland bubblegum pop.  Rock n roll was dead. (Even Bob Dylan believed this. Years later, commenting on that 1959 – 1962 period he saw it as a successful conspiracy of the WASP majority to suppress the wild, racial elements of rock n roll).  Oh really?

Firstly, even if Little Richard hadn’t found God, his recorded music had already gone off the boil.  Baby Face, which followed Ooh My Soul  in the summer of 1958 was as dire as Tony Sheridan and the Beat Brothers (The Beatles) 1961 My Bonny.  Likewise Jerry Lee’s singles by 1959 weren’t as strong, apart from Loving Up a Storm.   Incidentally, although Jerry Lee’s May 1958 UK  tour was cancelled on the back of the press moral indignation, and the Methodist Rank Organisation pulling the plug on bookings in their theatres, his High School Confidential successfully climbed the Top Twenty to No.12.   And Col. Parker successfully issued back catalogue material that always saw Elvis  in the Top Ten, whilst he was in the U.S. army.

Brenda Lee, the Everly’s, Roy Orbision, Elvis (out of the army in March, 1960), Ricky Nelson, Duane Eddy continued to record material in the 1959 – 1962 period that were massive hits at the time and are now part of rock history:  Let’s Jump the Broomstick; Cathy’s Clown; Running ScaredIt’s Now or Never; Hello Mary Lou; Peter Gunn….(2).

Duane Eddy

And interesting new things were happening in that 1959 – 1962 period. Music was evolving, as it always does.  A giant like Ray Charles was breaking into the UK Top Twenty, and like Elvis he took white and black music and melded aspects of it: I Can’t Stop Loving You, Your Cheating Heart, from white American Country music and Georgia on My Mind from the white American Song Bookand succeeded with the black Hit the Road Jack and What’d I Say?  Buddy Holly was one of several performers who were impressed and inspired by Ray Charles, and his 1958 Early in the Morning was influenced by the Ray Charles approach. In 1961 Jerry Lee made a rare re-appearance into the UK Top Twenty with his version of Ray’s What’d I Say? 

Sam Cooke too was breaking into the U.K Top Ten during 1959 – 1962: Wonderful World, Chain Gang, Cupid, Twisting the Night Away and Another Saturday Night. His cool persona, with the Apollo Harlem showtime routine, was breaking the ground for Stax and Tamla Motown to follow.  Bob Dylan would have revised his opinion that WASPS killed off the music because of the racial elements, if he had seen Sam Cooke performing Twisting the Night Away to an audience who look as if they’ve been bussed in from a white businessmen’s convention,  Sam getting the sober suited execs. to clap as he does some neat moves, singing  “Dancing  with the chick in slacks… dancing up and back”.   (3.  The link to this performance is footnoted below)

So what’s the beef?  And what was wrong with Bobby Vee?  He cut some good stuff, including with the Crickets.  And Bobby Vinton’s Blue Velvet?

O.K.  R.I.P the Summer of ’58.  Here comes winter.

W i n t e r t i m e   B l u e s

Gaumont Bradford

Larry Parnes

When Eddie Cochran joined Gene Vincent on the January-April 1960 UK tour he was no ‘has-been”.  His C’mon Everybody had reached No.6 in March 1959, and Something Else got to No.22 in late October, 1959.  Gene Vincent, however, hadn’t been in the UK Top Twenty since  October 1956,with Blue Jean Bop.  At the Bradford concert the thin-skinned Gene got a bit shirty.

More than 2000 teenagers at a rock’n’roll concert at the Gaumont, Bradford on Saturday night were astonished when the American star of the show, Gene Vincent, stopped in the middle of a song and walked off stage. His accompanying group faltered to a ragged halt, and harassed compere Billy Raymond hurried from the wings to the microphone to lead a finale in which all members of the company, including a solemn-faced Vincent, took part.
In his dressing room later, the 25-year-old singer from Norfolk, Virginia, explained his startling exit. “Four guys at the back had been heckling throughout the act. I didn’t particularly mind during my fast numbers, but when they tried to ruin Over The Rainbow I could just not take it any more. It is one of the best things that I do and it has been going down well all over the country. I will never play at this place again”
–  (Yorkshire Post)

As the tour progressed it was clear the real  star of the show was Eddie Cochran. When the tour management suggested he should go top of the bill he declined, as he had a soft spot for Gene.  Eddie, it is reported was homesick on the UK tour, ringing his Mum every day, and although he’d experienced cold winters, he wasn’t used to the lack of central heating in 1960s Britain, and that got to him.

When he and Gene finished their last concert in April at the Bristol Hippodrome he hired a car to take him, his girlfriend and Gene through the dark night to London Airport for the flight back to the States.  The car crashed near Chippenham, and Eddie died of his injuries two days later at St. Martin’s Hospital in Bath, Somerset on 16 April, 1960.


Gene, and Eddie’s girlfriend Sharon Sheeley, survived.  Eddie was 21.

Eddie & Sharon. They were engaged to be married.

So it seems Le Patron was listening to Summertime Blues sometime in October, 1958, (not the summer), whilst outside his Dad , after the first frost of autumn, dug over the  vegetable patch.  Mum cooked the meal in the kitchen and his sister listened  to the newly introduced Saturday Club, a lame BBC attempt to “get with it”, hosted by Brian Mathews.

Many years later Le Patron’s Dad no longer worked in a garden. In the early 1990s he died in a dementia ward of the same hospital Eddie died.  By then St.Martin’s had no “Casualty” (A&E, Accident and Emergency, as it is now called).


A day or so later Le Patron and his Mum went to register the death at the local Registrar of Births, Deaths and Marriages.  Whilst his Mum was talking to the receptionist, Le Patron noticed a framed Death Certificate, proudly displayed on an otherwise bare wall.  It was the Death certificate of Eddie Cochran.  Le Patron looked closer and saw that in the column “Occupation” Eddie was listed as “Entertainer”.   It was all so long ago,  that Summer of ’58.

Play It Again Eddie



  1.  It is surprisingly difficult to find the date for the UK release of Summertime Blues.  An Eddie Cochran fan site says September, 1958, but doesn’t say when in September.  There is also a variation in the highest position it got in the UK Top Twenty.  One source lists it as low as 21.  All sources indicate the highest position at around 13 – 18 November, 1958.     It is surprisingly that if it was released at the end of September it should take 6 weeks to get to no.18 in the bottom half of the Top Twenty.
  2. The bizarre mythology that 1959 – 1962 was a sort of musical vacuum (before the rise of the Beatles, and the British Groups invasion of the States), filled by bubblegum pop, doesn’t stand up to examination.  Here are some, but not all, of the releases by the big U.S. names during 1959 – 1962:   Duane Eddy: Peter Gunn, Forty Miles of Bad Road, Some Kind of Earthquake, Because They’re Young, Dance with the Guitar Man.  Brenda Lee:  Let’s Jump the Broomstick, Sweet Nothings, I’m Sorry, Emotions, Dum Dum, Fool No 1.  Roy Orbison:  Only the Lonely, Blue Angel, Running Scared, Crying, In Dreams, Pretty Woman (1963).  Elvis: A Fool Such as I,  Little Sister,  A Mess of Blues, Big Hunk of Love, Stuck on You, It’s Now or Never, Are You Lonesome Tonight, Good Luck Charm, Return To Sender, She’s Not You, Devil in Disguise.   The Everly’s: Till I Kissed You, Let It Be Me, Cathy’s Clown, When Will I Be Loved,  Walk Right Back, Crying in the Rain.  Ricky Nelson: Travellin’ Man, It’s Late, Hello Mary Lou, Young World, Teenage Idol, It’s Up To You.
  3. Here is the link to the fabulous TV performance of Sam Cooke doing his 1962 hit in 1963.  Twist here:

Nelson’s Column & The Eiffel Tower / Photos: Pete Grafton

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Nelson’s Column, Rush Hour, sun setting in the West. 5.30 pm, 2nd October, 2007

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 The Eiffel Tower from Trocadero, midday, light fog.  22nd April, 2008

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Photos: copyright Pete Grafton.  For commercial use, contact Le Patron using the Leave a Reply facility.

Jackson C Frank: Catch a Boat to England


Jackson C Frank:  Catch a Boat to England

Inside LDThe Coen Bros Inside Llewyn Davis – some aspects loosely based on the early life of Dave Van Ronk – might have been an even more interesting film of a person and a time and a place if it had drawn on the  story of another, younger, American folk singer.   Unlike Dave Van Ronk he wrote his own material and Nick Drake recorded more tunes of his than any other singer-songwriter of that era.   The tracks from his one, and only LP, produced in London, are now registering over 100,000 hits on You Tube.  His name was Jackson C Frank.

FRANK, Jackson C (b. ’43, Buffalo, NY)  USA singer/songwriter infl. in London during mid-’60s folk boom. Songs covered by Sandy Denny, Bert Jansch,  Fairport Convention; Frank himself made only one LP Jackson C Frank; ’65, reissued ’78: cult classic prod. Paul Simon, second guitar played by a young Al Stewart;  incl. best known song ‘Blues Run The Game’ (world-weary gem of genre), eight other originals.  Regular feature on folk club circuit; once shared flat with Denny, Simon, Art Garfunkel; began work on second LP ’68 but never completed it.  Said to have been badly injured in fire at Woodstock home.  Jansch called him ‘as influential as Bob Dylan’ in mid-’60s; evidence of album suggests great ability unfulfilled.

–  unattributed entry in Penguin Encyclopedia of Popular Music, First Edition, 1990.

He’d caught a boat to England in early 1965, and it was briefly in England that he made his mark.  By the mid 1970s, back in the U.S.,  he had virtually disappeared off the scene and his life became a sad and tragic decline.  He died in near obscurity in 1999.  This is a recollection of those autumn months in 1965 that were leading up to the release in December of his CBS album, produced by Paul Simon, and beyond into the early summer of 1966, when Jackson moved out of his Twickenham, London flat, possibly to be with Sandy Denny.

Vietnam and James Baldwin
Vietnam and James Baldwin

In 1965 in Britain women still wore stockings and suspender belts.  Men had to buy condoms in gents barbers shops.  Tears was the biggest selling hit single, sung by the north of England comic Ken Dodd.   The National Anthem was still played at the end of the pictures and Le Patron was shouted at, after watching Judy Dench in Four in the Morning, for not standing still as it played, as he made his way to the exit.  (In anticipation of the National Anthem most cinema goers quickly shuffled out of the fire exit doors into the street, or the foyer,  as the credits rolled, whilst some women  discretely headed for the Ladies to re-arrange their underwear after two hours of snogging and groping in the back row).

And an American,  Jackson C Frank sailed on a boat to England to buy a 1952 Bentley, a long wheel base Land Rover and an Aston Martin DB5.  He also brought a Martin guitar with him, and Katherine Henry his girlfriend came too.  (Well…  that’s the Wikipedia version, and that of some other potted biographies.)

In the U.S. in 1965  the Democratic Party government sent 50,000 troops to Vietnam, as American involvement increased from USAAF bombing and reconnaissance.  In the American South civil rights activists were killed by white supremacists, and in the Watts area of Los Angeles, in August 1965, 28 people died in race riots.

The biggest film of the year was Mary Poppins, making more money than the other big 1965 hit film, Sound of Music, both featuring Julie Andrews.   Dr Zhivago with Julie Christie and Omar Shariff was popular too. The Beatles second feature film – in colour – Help!  had come out that summer.   Clint Eastwood, the former TV cowboy, was having his second significant big screen outing in For a Few Dollars More (A Fistful of Dollars had been released in 1964).   Away from the mainstream there were interesting films such as  Roman Polanski’s Repulsion, exteriors edgily shot in the  streets of South Ken, and Michael Caine was on the ascendency in The Ipcress File, a year before 1966’s Alfie.

But still you needed to go into a gents hairdressers to furtively buy condoms (and not get a haircut).   And Levi jeans were hard to find (and expensive).

Jackson C Frank’s black Bentley saloon, his dark green Land Rover, and silver Aston Martin DB5 were parked outside 50 Cole Park Road, St Margarets, Twickenham.  Cole Park Road was a leafy suburban road of mostly large detached houses, built in the interwar period on the fields of Middlesex, an area that soon became known as south west London.

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Acknowledgement to Ordnance Survey.   Revision date: 1954-1955.

Jackson could have flown into Heathrow, just a few miles to the north north-west of Twickenham. (Also built, after the Second World War, on the meadows of Middlesex.)   Pan Am had started the first regular New York – London Heathrow flights  in 1958.   Jackson could have afforded the flight.

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Acknowledgement to Ordnance Survey.  Revision date: 1954 – 1955

When he was ten he was attending a school in Buffalo, New York.

“The brand new school was made out of brick but it had a wooden annexe that was used for music instruction.  It was heated by a big furnace.  One day during music lessons the furnace blew up.  I was almost killed on that day.  Most of my classmates were killed.  I spent seven months in hospital recovering from the burns.”  (Quoted in CD liner notes by Colin Harper, Jackson C Frank, Blues Run the Game, “Expanded Deluxe Edition”, 2003)

Jackson after the explosion, with Elvis
Jackson after the explosion, with Elvis at Graceland

In 1964, at the age of 21 Jackson was entitled to the insurance payout from the fire: $110, 500.   He and a friend headed for Toronto, Canada, spending  as they went  “… I bought a Jaguar straight out of a showroom.”  Returning to Buffalo he decided to catch a boat – and not take the plane – to England, in April 1965.

Jackson’s life around this time is not – it seems – quite as Wikipedia, and some other sources,  report.  He did catch a boat – the Cunard Queen Elizabeth – from New York to Southampton, but it was in February, and not April.  And the reason he bought a ticket was because his girlfriend of two years, Katherine Henry, was looking for a way to get out of the relationship.  Unable to say she was calling it off, she booked a ticket to escape to England.  But when Jackson found out, he booked a ticket too.  She still found it difficult to say “It’s off”, and she recalls they spent a lot of the Queen Elizabeth journey in one of the onboard bars, drunk.  She told her story in 2009 to Andrew Male in  Mojo 186. (1)

They stayed in the The Strand Palace, which she recalls was across the road from the Savoy, where Dylan had stayed.   They lived in Twickenham, until she returned to the U.S. in June 1965, to have an abortion.  Jackson accompanied her.  She didn’t come back. Jackson did.  She said she found his intensity, his imagined slights too heavy.  She says there was an element of paranoia – centred on Jackson imaging that she was only interested in him because of his insurance money – that was not easy to deal with.  But they had some good times, too. She described their few months in Twickenham as pretty domesticated.  They occasionally went off on a trip, once to Whitby on the Yorkshire coast.

Katherine and Jackson, Whitby. March - June, 1965. Attributed to/Source: Richard Stanley
Katherine and Jackson, Whitby.  Sometime between March and June, 1965.
Attributed to/Source: Richard Stanley

At some point they met Tom Paxton, who was also over from the States, with his wife and living in London.   Paul Simon was another young singer songwriter who had arrived in London in 1964.    There was a lively folk club scene in Britain  particularly in London. Besides the traditional folk scene, there was an emerging folk new wave of interesting guitar stylists and singer-songwriters.  Davy Graham’s Folk Blues and Beyond had been issued on Decca in January 1965, and Bert Jansch had his first LP out on Topic by the Spring.   DaveyBert+Jansch+-+Bert+Jansch+-+LP+RECORD-499748 Tom Pax There is no indication of where Katherine and Jackson were living those few months together in Twickenham.  But when Fan, Pussy, Sue and Doreen moved into the ground floor of 50 Cole Park Road in September, 1965, for the second year of their teacher training at the nearby  all female Maria Grey College,  Jackson was living upstairs with a young English woman called Caroline, and the three cars were parked outside.   No biographies of Jackson mention Cole Park Road, or Caroline.

Up until the summer of 1965 Jackson was an unknown singer-songwriter.  Although he’d played with friends in Buffalo he was reportedly training to be a local journalist when he received his insurance pay-out.   Katherine recalls that when she moved back to the States she heard that he had started playing a lot more in folk clubs:  her leaving him had broken the couple cocoon the two of them were in.  Although shy, he started playing regularly at Les Cousins, and other London folk clubs.  He started to be a face on the scene.

He seemingly would give visiting American folkies – including Dave Von Ronk – a drive around London in one of his cars.

Although he had been known to have been singing traditional folk material in Buffalo Le Patron  speculates that his self-penned repertoire expanded on the back of Katherine leaving him.   Catch a Boat to England was possibly written just after they arrived in England, when he was still with Kathleen, as was Yellow Walls, but other songs, for instance You Never Wanted Me, is a cert to have been written after she decided to stay in the U.S. in June.  He recorded it in December.

Le Patron first visited 50 Cole Park Road in late September, 1965, and moved in in early November, he and Doreen having begun a relationship.  The girls went off most mornings to college whilst Le Patron had already left a couple of hours earlier.  He was working as a labourer in the  building maintenance section of a slightly dodgy property company, on jobs all over London, from Chelsea, to Finchley to Walton on Thames.

Doreen and Kate, a regular visitor. The lounge, downstairs at 50 Cole Park Road. Photo: Pete Grafton
Doreen and Kate, a regular visitor.  The lounge, downstairs at 50 Cole Park Road.    Photo: Pete Grafton
Fan Photo: Pete Grafton.
Fan, Cole Park Road.      Photo: Pete Grafton.
Kate Photo: Pete Grafton.
Kate, Cole Park Road.     Photo: Pete Grafton.

Fan and Kate, after a Saturday shopping raid on Biba’s,  Kensington.  Yoghurts from Express Dairies.

It was a peculiarity of the time that there was a vibrant music scene in the Twickenham/Middlesex, Richmond/Surrey, west south west London area.  Down the road in Richmond the Stones  two years before had been regulars at the Station Hotel, and their spot had been filled by the Yardbirds by 1965.  The Who regularly played to the north in Wealdstone and there was a regular venue at the Jolly Rogers, Isleworth, with the likes of Geno Washington and the Ram Jam Band, and Zoot Money and the Big Roll Band playing in the area.    Eel Pie Island, in the Thames, was a fifteen minute walk from Cole Park Road, where Long John Baldry and the Hoochie Coochie Men played, along with visiting black blues and folk artists such as Jessie Fuller. Eel Pie Island Around this time Sandy Denny, still a nurse,  was singing solo in the Kingston folk club, and  Maria Grey college that Doreen, Fan, Sue and Pussy, and Kate,  attended also regularly booked folk singers.

One  Saturday night at the Maria Grey College Le Patron saw a double bill of, first on, a young lean Bert Jansch, and after the interval,  Paul Simon.  Although it wasn’t a contest, Bert won it by a mile.  Bert just played, whilst Paul Simon pontificated and blethered between numbers.  He was wearing the “I’m a purist folk singer” halo (he had the neat haircut and the  fine wool pullover to go with it) and he got tore into Marianne Faithful for being on RSG (Ready Steady Go) the night before, covering something he used to sing, but she used  strings!!! – lush orchestral strings!

It sounds as if anyone in work and earning,  and at the age of 20 and into music would be having a rip-roaring time living in the Twickenham area in 1965.  But it wasn’t necessarily like that. Besides anything else, even if it did cost two to ten bob (ten to fifty pence) to go to listen to a band or individual, the going rate for an unskilled worker, whether in the building trade, or working in shops or cafes hovered around 5 bob (twenty five pence)  an hour.  Le Patron was on 5/4d an hour.

Le Patron. Photo: Kate MacPhail
Le Patron, 50 Cole Park Road.     Photo: Kate MacPhail

A take home pay of around £10 didn’t go far, particularly if you weren’t living at home and having to pay rent.  For a single person too, income tax ferociously ate into your gross earnings, or that’s how it seemed when you worked with seasonal students who’d get all they’d been taxed back in the autumn, or aware of what the married blokes take home pay was.

Le Patron was, too, (besides being knackered after work)  ploughing the anti-social, introverted furrow at this time, labouring over books on existentialism, and other mind-expanding tomes that he hoped would explain what it ‘was all about’.  He enjoyed the company in the downstairs flat, and one of the girls would ask him to do posters for the folk gigs at the college.  But like Jackson and Kathleen had been, he and Doreen were in their own couple cocoon, which was no bad thing.

Le Patron had very early on, when asking who the expensive cars belonged to, learned from the girls that an American folk singer lived upstairs, with someone called Caroline. Le Patron doesn’t know what the furrow Jackson was ploughing, but it was a quiet one. He was rarely seen and rarely heard.  No sound of him playing, of trying out a new song, no sound of a radio.  Very quiet. No creaking floorboards above.  No crashing up and down the stairs.  The recollection was that he was shy, that he was polite, and he had a warm fleeting smile.  You rarely caught a snatch of conversation between him and Caroline upstairs, and they never used the downstairs garden for drying clothes, or relaxing in the sun come Spring and early summer 1966.

Caroline was a southern Home Counties young woman, with the good bone structure, and the quiet air of someone who had been to a girls boarding school (and hadn’t rebelled). And yet, by living with a man and not being married, and living with an American, and a folk singer, even if he had money, was rebellion enough in 1965.  She had dark, straight hair, and like Jackson was quiet.   In her case maybe it was Home Counties reserve, rather than shyness.  Jackson was 22 at this time, and she was around the same age.

As noted, Le Patron was ploughing the  anti-social furrow.  It would be the girls who would nip upstairs to ask Jackson to sign their copy of his just released LP, or to get a visiting Tom Paxton to sign a poster Le Patron had done for the gig he’d just done that evening.